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Desert of the Forgotten, Ch. 3: Into the Abyss

by Josh Sager

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Desert of the Forgotten, Ch. 3: Into the Abyss 01:00:15
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Driven by their thirst for knowledge, Sinclair and his companions continued their investigation of the obelisk, their senses assailed by an overwhelming feeling of unease. The air around them seemed to thicken with each passing moment, as if the desert itself recoiled from their presence. Sinister whispers, barely audible, drifted on the stagnant breeze, sending shivers down their spines and raising the hairs on the backs of their necks.

With trepidation, they approached the newfound entrance, its darkness beckoning them into the unknown depths below. Sinclair's heart pounded in his chest as he peered into the abyss, his mind swirling with a mixture of fear and curiosity. What secrets lay hidden within the darkness? And what horrors awaited them in the depths below?

As they descended into the yawning chasm, the temperature plummeted, sending chills coursing through their bodies. The air grew cold and stale, thick with the scent of decay and despair. Each step they took echoed off the ancient walls, reverberating through the darkness like the toll of a funeral bell.

Sinclair's companions huddled close together, their nerves frayed and senses heightened. They spoke in hushed tones, their words tinged with uncertainty and fear. Each creak and groan of the ancient structure sent shivers down their spines, filling them with a sense of dread that seemed to grow stronger with each passing moment.

And yet, amidst the encroaching darkness, Sinclair felt a strange sense of exhilaration, as if they were on the cusp of a revelation beyond mortal comprehension. The deeper they descended, the stronger the pull of destiny became, drawing them ever closer to the heart of the abyss and the secrets that lay hidden within.

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released April 28, 2024

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Josh Sager New Jersey

Josh Sager is a cinematic dark ambient electronica musician and aspiring film and game composer. Employing modular and software synths, fretless guitar and guitar effects, tape loops, generative music concepts, and field recordings, he is drawn to writing atmospheric, moody, highly-textured soundscapes. ... more

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